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    Love it or hate it, fuck is here to stay". He described how, as confirmations of interview subjects came in, he was surprised when Pat Boone was among the first to confirm his participation. He classified the word "fuck" as being at the core of discussion about freedom of speech. Their research incorporated interviews with Steve Anderson, students and data from graduate-level classes in language and culture. Anderson had previously worked as a cameraman on a piece with Boone about eight years before starting work on Fuck.

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    Freedom of expression must extend to words that offend. Thompson and Tera Patrick. Anderson's movie is staged as a talking-head culture-war skirmish between embattled upholders of propriety or repression, if you prefer and proponents of free expression or filth , but its real lesson is that the two sides depend upon each other. Thirty-five media commentators were interviewed for the film. Thompson before his suicide and honored Thompson's contributions to journalism. The film included the final video interview with Hunter S. Fairman discussed the documentary in his article, "Fuck", published in February in the Cardozo Law Review. Anderson had previously worked as a cameraman on a piece with Boone about eight years before starting work on Fuck. Fairman of the Moritz College of Law at Ohio State University called the documentary "the most important film using 'fuck'". He acknowledged that there are terms considered by society more vulgar than "fuck", but said that this particular word creates controversy and dialogue. Scott wrote in The New York Times: Love it or hate it, fuck is here to stay". He originally proposed the idea of a film about the word in jest, later realizing that the topic could fuel a documentary. The film and content he controlled would refer to the title as Fuck, including theatrical and DVD editions. Sobre-Denton and Simonis discussed the documentary's use for communication studies students studying university-level intercultural relations. He decided to research the film's topic due to the word's versatility and his interest in language as a writer. He concluded that his struggle reflected the debate alluded to by the documentary, and this realization motivated him to stand firm on the film's title. Or rather, that the continued vitality of the word—its unique ability to convey emphasis, relieve stress, shock grown-ups and function as adverb, noun, verb, intensifier and what linguists call 'infix'—rests on its ability to mark an edge between the permissible and the profane". He emphasized that artists and filmmakers should be free to express their views without censorship, deferring to public opinion on the appropriateness of his documentary's title. The website's consensus reads, "A documentary that sets out to explore a lingual taboo but can't escape its own naughty posturing. Sobre-Denton and Simonis' conclusions correlated taboo words with social forms of power, rebelliousness , professionalism and gender roles. Thompson before his suicide, and Anderson dedicated it to Thompson for his contributions to journalism. Inspiration[ edit ] Steve Anderson decided to research the film's topic due to the word's versatility and his interest in language use as a writer. Anderson questioned whether the word should be used on NYPD Blue , and how parents should discuss its use with their children. He classified the word "fuck" as being at the core of discussion about freedom of speech. He described how, as confirmations of interview subjects came in, he was surprised when Pat Boone was among the first to confirm his participation.

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